![]() The dynamic range and 48-bit color output produce incredible results, especially if you decide to scan in TIFF or RAW DNG (RAW DNGs require additional processing with software such as Negative Lab Pro). ![]() One thing to note is that depending on if you decide to scan JPEG, TIFF, or DNG, the file sizes can become stratospheric. All dpi sizes are very slow to scan in though, especially if also using the infrared and multiple exposure scans (which you should), it can take several minutes to scan one frame. At 7200 dpi the scan sizes are huge, with incredible levels of detail, but even at the smaller 3600 dpi it manages to achieve the same level of detail in a more manageable file size. (Image credit: Gareth Bevan / Future) OpticFilm 8200i SE Performance ![]() The Opticfilm 8200i SE has three buttons on the front, the oval button for power, and the other two buttons that work with Plustek Quickscan software but not the bundled Silverfast software. The film holder has clever little notches in the bottom that works in conjunction with teeth on the scanner for perfect alignment with the CCD sensor inside the scanner, speeding up the scanning process and getting consistent size and exposure on every frame. This is not ideal as it opens up your film to scratches and other marks. The film holder loads into the machine in a slightly unusual manner, which means that about two-thirds of the film holder will always be poking out of either side of the scanner. They feel a little flimsy but they have been put through a lot of wear in the process of my own scanning and are still going strong. The film holders are some of the best around, they are a little tricky to load the film into, but they hold the film tightly, and most importantly they hold it very flat for a perfect even scan. It depends on the type of scanning you wish to do, but if you use the bundled Silverfast software or alternative VueScan, then you will probably never use the other two QuickScan buttons. There are three buttons on the front of the case, the buttons don’t feel particularly secure, with the power button especially having quite the rattle to it, but after a lot of use, it is still working perfectly. The body is plastic, but it feels sturdy and strong, if I was moving it in its protective case I wouldn’t worry much about it getting damaged. It is also very lightweight, it feels almost like there is nothing at all inside the plastic shell, so it is easy to transport from place to place if necessary. The Plustek Opticfilm 8200i SE is incredibly small, it also comes in a neat little nylon case, where you can tuck away the machine, all the wires, and the film holders for easy storage when not in use. (Image credit: Gareth Bevan / Future) OpticFilm 8200i SE Build & Handling The 8200i SE comes with a mounted frame holder and a 35mm negative film holder (pictured) which holds up to 6 frames at once for faster loading into the scanner. With support for Windows 7 onwards and Mac OS 10.7 or later, almost anyone can use the scanner right away. ![]() For scans in a flash, it is also possible to use the automated Plustek Quickscan. The scanner comes bundled with LaserSoft Imaging Silverfast SE Plus 8, an advanced option for those wanting to get the most from their negatives. The scanner has up to 3.6D in dynamic range using the enhanced multi-exposure function, giving a more accurate reading of the lightest and darkest areas of the image, this can produce deeper blacks while maintaining more details in the shadows and clearer highlights. The files can also be output in 24 or 48 bit color, giving more options for fine editing. 7200 dpi files are suitable for blowing up to A3 sizes. This is equivalent to 68.9 megapixels in digital camera terms, a size only currently achievable in medium format cameras or a very select few full-frame cameras like the Sony A7R IV. The scanner can output in 7200 x 7200 dpi for 35mm negative film and mounted slide.
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